Typically, with this setup, you would add mastering processing as inserts on the channel(s) carrying the unmastered mixes. This is also a good opportunity to play around with the running order and flow of your montage. Generally, you would put all of the mixes onto the same track, but if creating a montage from a small number of mixes, there can be some advantages to giving each its own track/channel in Cubase (for reasons that should become apparent in a moment). Once you’ve perfected your mixes and have created a collection of unmastered files for your montage, Cubase offers a few different approaches, but all start by importing your unmastered mixes into a new project and laying them out on the timeline. This being the case, best practice tends to be to leave mastering processing out of a mix so that it can be applied later when the music is being compiled into an album/montage. However, it’s often preferable to approach mastering from the point of view of a whole album or montage of mixes, which allows that montage to be honed into a cohesive whole as opposed to a bunch of mismatched individual mixes. The most obvious approach to mastering with Cubase may be to apply mastering-type processing during mixdown across the main left-right bus you could also apply such processing to submixes for a stem mastering-like approach. What’s more, thanks to Steinberg’s ongoing efforts to increase the number, quality and utility of bundled plug-ins, modern Cubase contains everything you need to perform excellent audio mastering right out of the box. When it comes to audio mastering, where audio quality and fidelity are vitally important, Cubase’s super-accurate sound engine and versatile editing and routing are a perfect match for the job’s requirements. So it must be a Cubase related Problem.Although most often thought of as a DAW dedicated to the art of creating music, Cubase has for a long time enjoyed the power and flexibility to turn its hand to all sorts of other audio duties: idea sketching, audio editing, sound design, film and broadcast post-production, scoring and publishing and pretty much anything else you can think of.
#Cubase 9 pro manual Pc
I tried the same midi file with the same pc in the Reaper DAW and it plays all notes without issues and everything sounds correct.
#Cubase 9 pro manual manual
Google and Steinberg manual did not help me, usually people have issues while recording or that the midi notes do not work at all, but there are some others having the same issues but left without solution.
Using some Groove Loops within the VSTi, everything worked without issues. I created a fresh project, a manual created midi file, same results. With double bass or fills, this is a big issue. The playback kinda stays in the rythm, but does only play every 1/8 and not 1/16 notes.
The midi file itself looks good, with healthy velocity and all notes set to channel 1. The issue is, that during the playback, a lot of notes are not played back by the VSTi. Focusrite 18i20 interface.įor VSTi, I used Steven Slate Drums 5.5 and GGD via Kontakt 6 Player. I am trying to playback a midi track that was recorded via E-Drum with a drum VSTI.